Do you know why you mix mud?
In my humble opinion, the Two Primary Palette is the gateway to color mixing with confidence and not mixing mud. Knowing how to use this well balanced palette opens doors to mixing clean colors while mixing mud only when you choose. Imagine not mixing mud!
Throughout this CelebraingColor blog, I write about color bias and its role in creating the Two Primary Palette. To read more, please visit these posts: 1) Why Color Bias is Key to Mixing Color; 2) How to Mix Bright and Dull Secondaries. This eye-opening information is also taught via my online Craftsy video course Acrylic Color Mixing with Ease!
Below is a schematic showing the foundation of the Two Primary Palette, which can also be called the Double-Primary or Split-Primary Palette. You will notice I have two strong color bias tubes of paint for each primary color. By this I mean, the color leanings of each primary color is evident. The palette consists of a: green-yellow, orange-yellow, green-blue, red (violet)-blue, blue (violet)-red, orange-red and orange-yellow.
What Does a Two Primary Palette Look Like in Action?
Recently, a reader asked me to show how I place these colors onto my working painting palette.
Below shows you how I translate it onto my palette. On the left I have numbered the six colors of the graphic Two-Primary Palette and on the right you can see these colors squirted out. There is no correct way to do this. It just happens to be how I like to lay out my paints. Putting out your paints is personal and unique to each of us.
Wait I don’t stop there! In the next image you see mixtures of my primaries to add more colors to my palette. In other words, I mix the two yellows, then the two reds and then the two blues. By doing this I have eliminated needing more tubes of paint — see the image below of my yellow mixture that matches up with a tube of paint.
Creating these additional mixtures is optional. Watercolorists you can do the same thing in your palette using the wells and leaving empty wells in between your 6 primary colors and, of course, not including white.
This is an example of mixing my two yellows into another yellow mixture. The big blob is my mixture and the squirt of color out of the tube is to the right of it. I don’t need to own this tube of yellow because it is easy to mix.
Next, I typically mix my bright secondary colors. To learn more, please read How to Mix Bright and Dull Secondaries. By the way, I use a porcelain butcher tray for my palette.
And then, if you want to continue setting up your palette of colors, you can mix your tertiary colors of burnt sienna, olive green and purple-black. Again, these are completely optional.
To learn more about tertiary colors, please visit my post: What is the Correct Definition of Tertiary Colors?
By starting out with this well balanced Two Primary Palette, I have increased my possibilities of a successful painting because of this color unity. Decision making is also easier and I have decreased the chances of mixing mud.
Now you are ready to rock and roll! How do you lay out your colors when using the two primary palette? I would love to know. Please share this in the comment section below.
By the way, the Two Primary Palette and the color mixing principles taught in Acrylic Color Mixing Made Easy! apply to ALL media, not just acrylics.
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