Artists, are you interested in the straight forward approach on how to mix bright and dull secondary colors? I have heard many painters express their exasperation when trying to mix the greens, purples and oranges they want.
You have been told since you were a toddler that red and blue make purple, right? Yet your experience indicates that this is not always true. Or you go to mix a bright green and it results in something less than bright. Why is this? Then you go out and try to buy tubes of purples and greens and they too, are unsatisfactory.
In my last blog post Why is Color Bias Key to Mixing Color? I explained why I use the phrase ‘color bias’ when describing the hue of a primary color. Then I introduced the Two -Primary Palette using this principle of color bias.
When combining your discoveries of complementary color mixtures with your knowledge of color bias, color mixing merges into a journey of confidence while frustration begins drifting away. This is also where you start to discover the magic of the Two-Primary Palette. It isn’t really magic, though when I learned it and started to use it, it did feel like magic.
The clarity it provides helps to make color mixing seem achievable and fun! [Read more…]