Have you ever tried painting bones? It may have been something you did in art school or in studying the human form. Bones are not a typical subject because of they can carry emotional content, which can be different for everyone.
Having created a large body of work entitled, “No Time for Idle Hands,” that featured the hand as the subject to communicate my visual message, I drew and studied the hand/arm bones many times. This was necessary for me to learn how to ultimately paint the hand correctly and with feeling. I created this series of paintings from 1994-2000.
Recently, I have decided to return to the subject of bones but with a twist. This series is entitled “Your Inner Core.” My focus for this body of work is on the important role our skeletal system plays in our lives, despite our tendency to forget them because they are difficult to see and feel. We often do not give them the attention we should until something breaks or we are in pain.
Where and how did I begin to learn about painting bones that I had not drawn, painted or studied previously?
First, I did some preliminary research on the internet, which is full of images of bones. Photos of bones taken be other people does not tell the story. I needed the real thing – a life-sized human skeleton. Hence, I began calling the offices of my doctors, asked anyone I knew and even posted a request on Facebook. Through a circuitous route I was able to have access to a skeleton that was in a local biology classroom. After several hours of sketching and many photographs, I had my first group of resources. I was jazzed!
Next I had to tackle the artistic problems and my goals in painting bones. They are listed below. [Read more...]